Carrer Highlights

DYNAMO,

A Century of Light & Motion in Art,

Collaboration with Arsanima, performing in-situ in interaction the artwork of James Turell, Carlos Cruz Diez, Julio Le Parc, Fronçois Molleret, Alexander Calder, etc…

"Dynamo" a hugely successful 2013 exhibition Dynamo – A Century of Light and Motion in Art, 1913-2013, held at Paris's Grand Palais (Grand Palais), showcasing kinetic and optical art exploring light and movement through works by artists like Marcel Duchamp, Yayoi Kusama, Anish Kapoor, James TurrelJean Tinguely or Alexander Calder. It was a landmark show for the Grand Palais and a major cultural event, though it closed in 2013. 

Mars aux Musées

In situ dance performance

Konjetzky’s dance installation sends the audience on a guided tour through Jerusalem. It is a city tour without dates and sights, an abstract journey, an associative course that creates an atmospheric cityscape with the means of dance, light, video and sound. A picture of narrow alleys, surprising passages, the rapid flashing of a dome, the quick glance at a group of dancers* inside, at a crumbling graffiti. In the installation, the viewer moves between – partly movable – walls, which sometimes open the way, sometimes cut it off, separate the dancers* from each other or divide the audience. In fast light cuts rooms, images, bodies appear and disappear again. Like layers, the individual media (choreography, video, installation) glide over each other and merge into a quasi-filmic cityscape.

und weil er sich dreht, kehrt der Wind zurück

MUNICH & Tour, GERMANY

a dance installation by Anna Konjetzky

Collaboration with University of Nice and the Museum of Contemporary Art Marseille , performing in-situ in interaction with the artwork of Daniel BUREN, CESAR, Jimmie DURHAM, Richard BAQUIE, Gabriel OROZCO, Chris BURDEN, Martial RAYSSE tc …

Catch-as-catch-can

TALLIN, ESTONIA

a performance project by Cid Perlman

With a movement vocabulary that shifts between a rough-and-tumble physicality, intricate partnering, and moments of delicate touch, Cid Pearlman's choreography subtly disrupts traditional notions of desire, gender, and friendship.